當代中國電影與文學作品常取材自源於父權制度、家長權威、 異性戀本位、民族主義與人類中心主義的奇幻文本與傳說。Cathy Yue Wang檢視現今作家與電影製作人如何重塑這些傳統故事，以發展出質疑根深柢固的父權範式的新敘事。在嚴謹分析下，王越勾勒出內容與敘事方面的變化，使當代詮釋能在被重述的故事中，重思性別政治與背景。 透過廣泛的跨媒體方法與對互文性的細緻理解，本書的研究為全球化與後現代世界裡的學院派與通俗話語，在過去與現在、傳統與當代、文本與現實之間持續進行的相互妥協有所貢獻。《蛇精姊妹與鬼女兒：中國傳統志怪故事的女性主義改編》（Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy）對於傳統故事的核心元素，如性別與...(展开全部)

Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Author Cathy Yue Wang examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the...(展开全部)

當代中國電影與文學作品常取材自源於父權制度、家長權威、 異性戀本位、民族主義與人類中心主義的奇幻文本與傳說。Cathy Yue Wang檢視現今作家與電影製作人如何重塑這些傳統故事，以發展出質疑根深柢固的父權範式的新敘事。在嚴謹分析下，王越勾勒出內容與敘事方面的變化，使當代詮釋能在被重述的故事中，重思性別政治與背景。 透過廣泛的跨媒體方法與對互文性的細緻理解，本書的研究為全球化與後現代世界裡的學院派與通俗話語，在過去與現在、傳統與當代、文本與現實之間持續進行的相互妥協有所貢獻。《蛇精姊妹與鬼女兒：中國傳統志怪故事的女性主義改編》（Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy）對於傳統故事的核心元素，如性別與...(展开全部)

Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Author Cathy Yue Wang examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the...(展开全部)

Do all cultures and historical periods have a concept corresponding to the English word emotion? This collection of essays is concerned with the closest candidate within the Chinese language, namely the term qíng. What is the meaning of this term in different periods and genres? What are the types of discourse in which it is typically found? This volume contains two essays on t...(展开全部)

Do all cultures and historical periods have a concept corresponding to the English word emotion? This collection of essays is concerned with the closest candidate within the Chinese language, namely the term qíng. What is the meaning of this term in different periods and genres? What are the types of discourse in which it is typically found? This volume contains two essays on t...(展开全部)

This volume brings together fourteen essays that explore the role of hiddenness--as both an object and a mode of representation--in the history of cultural production in China from the Warring States Period (403-221 BCE) to the end of the Qing Dynasty (1911) and beyond. The rhetorical use of various forms of hiddenness makes its appearance in literary, political, philosophical,...(展开全部)

芭芭拉‧沃克（Barbara G. Walker） 著作豐富，著有《女性神話與祕教事典》、《女性符號與聖物辭典》、《女神的易經》、《懷疑論女性主義者》、《老嫗》、《塔羅的祕密》、《女性儀式》及《女戰士》。 ■繪者簡介 Julia Yellow 居住於紐約的臺灣插畫家。 擅以細膩的筆觸營造溫馨、俏皮、風趣的畫面。今年更參與了「金曲29最佳作詞人」的插畫設計。 ●合作對象：紐約時報、波士頓環球報、華盛頓郵報、科學人雜誌、奧美廣告、美國運通、LG、新光三越、自由時報。 ●獎項與認證：2014年PRINT 雜誌30歲以下20名優越插畫家、紐約插畫協會、洛杉磯插畫協會、美國插畫獎、CMYK雜誌、艾迪獎 ■譯者簡介 葉旻臻 臺灣大學外國語文學系畢業。 曾任職於紀錄片拍攝團隊、外文書店及出版社。 總是渴望更貼近自己欣賞的故事，所以喜歡翻譯。

Prominent feminist author Barbara Walker has revamped, retold, and infused with life some of your favorite classic fairy tales. No longer are women submissive, helpless creatures in need of redemption through the princely male Instead they are vibrantly alive, strong women who take fate into their own hands.

The present collection of essays has originally been prepared for an international conference entitled “Maritime Space in Traditional Chinese Sources” which has been convened by the editors at Munich University in February 2005. The contributions included here introduce various aspects related to East Asian seas – from the Japanese Sea to the South China Sea, with the Yellow an...(展开全部)